Leftfield - Live in Manchester

Leftfield are one of the most influential electronic acts of all time. Their debut album, Leftism, released in 1995, is widely regarded as a masterpiece of progressive house, dub, techno, and breakbeat. It features guest vocals from legends such as John Lydon, Toni Halliday, and Djum Djum, and it has been praised by critics and fans alike for its sonic innovation, political edge, and emotional depth.

In 2017, to celebrate the 22nd anniversary of Leftism, Leftfield’s sole remaining member, Neil Barnes, decided to reissue the album as Leftism 22, with remastered versions of the original tracks and new remixes by contemporary artists. He also embarked on a UK tour, where he performed the album in its entirety, with a live band and vocalists, in some of the country’s most iconic venues.

My brother and I were lucky enough to catch Leftfield’s show at the O2 Apollo in Manchester on May 20th, 2017, and it was one of the most memorable and exhilarating concerts I have ever attended. The venue was packed with fans of all ages, who were eager to witness Leftfield’s Leftism live. The atmosphere was electric, as the crowd cheered and sang along to every song, from the opening track Release the Pressure, to the closing anthem Open Up.

The sound system was incredible, delivering Leftfield’s massive beats and basslines with clarity and power. The visuals were stunning, featuring projections of abstract shapes, landscapes, and symbols, as well as footage from the original Leftism videos. The live band, consisting of drums, keyboards, guitars, and percussion, added an organic and dynamic dimension to Leftfield’s electronic sound. The vocalists, who included original collaborators Earl 16, Djum Djum, and Cheshire Cat, as well as new additions Sian Evans and Ofei, delivered stellar performances, bringing the songs to life with their charisma and talent.

The highlight of the show, for me, was the rendition of Leftism’s most famous track, Original, featuring the haunting vocals of Toni Halliday. The song, which is about the struggle of being an artist in a commercialized world, resonated with me on a personal level, as I have always admired Leftfield’s artistic integrity and vision. The song also showcased Leftfield’s musical genius, as it seamlessly blended elements of house, trip-hop, and ambient, creating a unique and timeless sound.

The show ended with a standing ovation from the crowd, who were clearly moved and impressed by Leftfield’s Leftism live. I left the venue feeling inspired and energized, having witnessed a piece of musical history. Leftfield’s Leftism is not just an album, it is an experience, and I am grateful that I had the opportunity to share it with thousands of other fans. Leftfield’s Leftism is a testament to the power and beauty of electronic music, and I hope that it will continue to inspire and influence generations of musicians and listeners. 

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